“The ethereal nature of poetic resonances teaches us about the inner dimensions. It is up to us to immerse ourselves and trod through the gross associative landscape of common expectations to recognize the buried treasure in our midst. But no matter how strong and beautiful feeling tones may appear, they are still traps. The arrow of mind must not stop at any target. Hitting a target means grasping at some phenomena, whether it is a paradise or a hell realm. The pursuit of gnosis has no end. No stoppage point should deter its longing for the infinite. The goal is for the dynamism of the arrow to be realized as equal to the space in which it flies. The open nature of that dynamism usurps its linear motion, and a new aspect of its meaning becomes possible, and it is reborn. In this manner we approach En Sof, the unattainable. If the arrow stops and hits any target, contemplation is officially over.”
– David Chaim Smith
Living near the Georgia Guidestones, I am constantly reminded that the world is filled with strange frequencies. When Dr. Raymond Moody was developing The Dr. John Dee Memorial Theater of the Mind to facilitate his experiments with mirror scrying and the therapeutic effects of necromantic divination, he followed certain design principles aimed at developing a sense of temporal displacement in those who would enter the institute’s psychomanteum chamber hoping to manifest an apparition of a past loved one. He found that creating an environment where ideas of time and place are displaced through mismatching antiques and curios was a powerful way to draw the seeker out of their normal sense of self.
The town of Elberton, Georgia where the Guidestones are located, and really the entire surrounding area, needs no additional tweaks to accomplish this. Situated in the midst of antiquated farms, untended woodlands and the general pace of rural life one is immersed in an atemporal environment where contemporary influences mix freely with the decaying images of the past – dead memories dance in step with the living present to create an phantasmal environment that is prime for contemplative experimentation.